this link is to an external site that may or may not meet accessibility guidelines. The album feels incredibly personal to Swift, as the songs are odes to important parts of her life, from her current boyfriend to New York City. The finished product is, of course, sterling. Despite the pandemic, 2020 was a big year for the artist, who released two surprise albums and secured her first Album of the Year nomination since her 2015 record, 1989. There were TikTok teasers to reveal the track titles, but beyond that fans weren't given many clues about what to expect from the album. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. Perfectly Fine." After the runaway success of country-pop second record Fearless, for Speak Now elements of pop rock, bluegrass and soft rock were added into the mix. "This ain't for the best / My reputation's never been worse, so / You must like me for me," is a perfect thesis for the album as a whole on "Delicate," one of the LP's highpoints for its light-as-air ambiance, late night whispers coasting on a swirling current of synth waves. Theres a Bon Iver collaboration, too: melancholy duet Exile, a slow-burning number which eventually erupts into chattering layered vocals and euphoric strings at the climax. Although there are standout individual songs on the album, "Taylor Swift" isn't particularly cohesive and now that her discography has been built up, it's hard to rank this high when listeners now know exactly what she's capable of. "We Were Happy," Fearless (Taylor's Version) (2021) There's a thin line between timeless and basic, and this "from the vault" track stays on the wrong side. Lists Evermore: Every Taylor Swift Album, Ranked According To Reddit Evermore: Every Taylor Swift Album, Ranked According To Reddit By Meah Peers Published Dec 12, 2020 With two new albums, Evermore and Folklore, released this year, how does Taylor Swift's new work compare to her classics? 176. Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. Lover. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. Keefe. There are whispers of reputation as well on opener "Lavender Haze," "Midnight Rain," and b-side "Vigilante Sh-t," which are menacing in their side-eyed electro hip hop shades but with a more relaxed delivery, swapping her sixth album's shock value for more earnest meditations on conflict born out of your own misgivings. But as we all know, Taylor Swift isn't like other artists. "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. The definitive ranking of Taylor Swift's 'Folklore' songs. "Her music mixes an almost impersonal professionalism it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory with confessions that are squirmingly intimate and true," wrote critic Jody Rosen for Rolling Stone in 2008. On this record, Swifts took her new sound and ran with it with thrilling results. Many artists lucky enough to enjoy their 15 minutes of fame peak at the onset, delivering one or two tokens of pop culture product before a dwindling stream of less impressive ventures. Released in 2014 and named after the year she was born, "1989" was inspired by the pop music of the mid-1980s. Paul Attard, Considering that Swifts previous material was almost always better when she tossed the ill-fitting country signifiers and focused on her uncanny gift for writing pop hooks, Red was a smart, if overdue, move for the singer. Perhaps even more impressive is Swifts mastery of song structure. Pick what song you like better in each battle to get an accurate list of your favourite songs. 1989 is a masterclass in how to make a timeless pop record. On Red (Taylors Version), we got the spellbinding 10-minute version of the song, an epic rendition that cements the tunes place as a songwriting triumph. She draws from her accumulated life experience and musical insight to connect with her younger self, refining her past homages to youth with matured, knowing vocals (dropping her country inflection for a more rounded singsong). It's a melancholy that allows you to wallow on the condition of looking forward after the fact, holding nothing back as you let everything go. Even so, there are simply too many placeholders on Lover's 18-track roster for it to fare well against her discography's worthier, meatier contenders. Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. escaped the fate of Pharrell in Minions or Timberlake in Trolls). How often I find myself in the mood to listen to . And, yes, her songwriting here is not quite fully actualized (as hindsight allows us to see now), but that doesn't diminish these songs' lasting splendor. As critic Jon Caramanica wrote for The New York Times in 2014, this album is filled with catchy pop tracks but it sets itself apart from mainstream music of that genre. Taylor is again musically faithful to the source material she spawned, honoring her then 22-year-old self by jeering and tearing up right on que, though this time with an inherent air of maturity. He also noted that this album began to show just how developed Swift's "potential for fury" was and he's right "Picture To Burn" is sassy and confidently filled with anger: "So watch me strike a match on all my wasted time / As far as I'm concerned you're just another picture to burn.". There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). That she employs her long-established songwriting tropes in novel ways is truly the most significant development here. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. From the first track, you know this album isn't like what you've been hearing on the radio it opens with the synthetic beats and sounds of "Welcome to New York.". Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. Read on for a ranking of all of Swift's albums, from least to most iconic in descending order. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. "Fearless" outranks "Taylor Swift" as it has more standout songs and has a cohesive sound that distinctly country-pop. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). Speak Now. By albums end, Swift assesses her crumbling empire and tattered reputation, discovering redemption in loveonly Reputation isnt so much a rebirth as it is a retreat inward. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. In short, her seventh LP suffers from the common complaint waged even by adamant fans: when Taylor is good, she's great, and when she's not, well she's forgettable. Note: hitting 'no opinion' or 'I like both' frequently will negatively affect your results. folklore. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. And on this album, in particular, the stories she tells are about how her narrators choices impact others, often in ways that cause irreparable harm. To celebrate Folklore's release, there is not a better time to rank Taylor Swift's albums' discography from the weakest to the best. The title track, whose lilting rhythm and reverb-soaked drums and vocals are reminiscent of Mazzy Stars 90s gem Fade Into You, and the acoustic Soon Youll Get Better, a tribute to Swifts mother, hark back to the singers pre-pop days, while I Think He Knows and False God evoke Carly Rae Jepsens brand of 80s R&B-inflected electro-pop. After embracing folk-flecked sounds on sister albums Folklore and Evermore, for Midnights Swift instead turns to bubbling synths and percussive beats, this sleek production run under the artists late night musings. The bridge to Fifteen includes a great, revealing line about a friends lost innocence (And Abigail gave everything/She had to a boy/Who changed his mind/And we both cried), while the playful melody of Hey Stephen captures the essence of what makes for indelible teen-pop. Where her debut guaranteed she was, at the very least, a momentary sensation, it wasn't until 2008's Fearless that the world understood the musical force that Taylor Swift could be. Casting aside the usual lengthy album campaigns or meticulously planned drip-feeding of singles, T-Swiz uncharacteristically announced Folklore the day before it was released. 'I. But Swifts most recent three albums are united through their more matured temperament and the stark intimacy of Swifts songwriting, with the comparatively scaled-back nature of her sound serving as a natural extension of this methodology. The album's comedown is a moment of quiet reflection carried by a piano's lone lullaby, when the festivities are over, the partygoers are gone, and all that's left is a lover for the long haul ("I want your midnights / But I'll be cleaning up bottles with you on New Year's Day"). In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. "Speak Now" comes in at no. Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. The albums standout tracks retain the narrative detail and clever metaphor-building that distinguished Swifts early songs, even amid the diversions wrought by the aggressive studio production on display throughout. Taylor Swift Drops Trippy Lavender Haze Music Video, Taylor Swift and Jack Antonoffs 20 Best Collaborations. Then there are the hopeful messages embedded in the minor-keys of "marjorie," an homage to her opera-singing grandmother, and "happiness," the chorus of which captures the album's essence best of all: "There'll be happiness after me / But there was happiness because of me.". From Taylor Swift to Midnights, we've ranked all of the singer's studio albums from best to worst. Copyright 2023 Meredith Corporation. But none before were so intricate and immersive as a whole fictional timeline pieced together from multiple angles in an album just over an hour long. Midnight's answer: she's still soaring. With the addition of six from the Vault tracks (songs written at the same time as the album, that Swift shared with the re-recorded version), it was like opening a musical time-capsule; with tracks like the emotive Fifteen taking on a new meaning as a poignant tribute to her teenage life. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. These were the de facto anthems for young listeners especially, clutching MP3 players to the chest like rosaries as we projected onto Taylor's portraits of then-mythical teen love. Painting the picture of an unravelling relationship, it gradually crescendos, climaxing in the gut-punch couplet of And you call me up again just to break me like a promise / So casually cruel in the name of being honest. Some of her trademarksher gift for melody, her third-act POV reversalswere already present here, but theres a sloppiness to the writing that shes long since cleaned up. The rest of the record sees relationships rise and fall like once-great empires reduced to dust, each an individual tragedy set to incessantly hooky choruses. Periodically, Midnights does run into issues of redundancy, which has more to do with Jack Antonoffs deficiencies as a producer than with Swifts skills as a writer and performer. And theres what Swift has called The Teenage Love Triangle, a trio of songs (Betty, Cardigan and August) that explore a knotty romance from three peoples perspectives. To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. I'll admit it took me a second to warm up to "Folklore" and realize how sophisticated and masterful it was so much so that it jumped from second-to-last to second place since this ranking was last updated. But reputation's best serenade is also its most understated (and underrated): "New Years Day." The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. How do you follow-up Reputation, a revenge album filled with vengeance? Fearless in its original 2008 form was adolescent in every way: a gentle voice singing fantasies of Juliet finding her Romeo, a boy on a white horse beckoning his hardened princess. That said, this album ranked below the others as it plays it a bit safer than some of the music released later in her career. Though the album is gorgeously hooky as a whole, and overall perfect for belting in the car for a pick-me-up, it's not hard to imagine Katy Perry or even Demi Lavato as a stand-in singer for the LP's lowest moments. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. Keefe, Nearly every track on Swifts sophomore effort, Fearless, builds to a massive pop hook. Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. Her detour is immediately apparent with a simple piano opening on "the 1," as piano chords echo a slight reverb off a guitar's strum-claps, while melancholy ballad "exile" (feat. Swift closes the non-deluxe edition of "1989" with "Clean," which adheres to the pop theme but is more low-key and showcases the heartfelt, haunting songwriting she's known for: "The drought was the very worst / When the flowers that we'd grown together died of thirst / It was months and months of back and forth / You're still all over me like a wine-stained dress I can't wear anymore.". All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 At the time of publishing, we're just over two weeks past our first listen, still internalizing the record's themes of loneliness and loathing, insecurity and insomnia. "Fearless" might just be the best opening guitar riff of her applicable albums (Taylor Swift, Speak Now, and Evermore's are less so) fringed with a summer's day twang and immediately infecting the listener with a blissful dose of euphoria, like a spoonful of syrup taken between smiling lips. Between those extremes is a reliable lineup of ultra-catchy mega-hits that infected the cultural consciousness through Top 40 countdowns and, later, TikTok videos. Taylor Swift's folklore rose from quiet shadows at the peak of isolation and uncertainty, written and produced in quarantine and released during the first COVID summer. The Taylor Swift's Albums Tier List below is created by community voting and is the cumulative average rankings from 131 submitted tier lists. Taylor herself referred to it as her "only true breakup album," and like her today, whatever heartache made us once cling to Red for the solace is (hopefully) behind us now. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. And of course, "Long Live," the last song of the album, is a masterpiece that features the story and emotions of Swift looking at her journey and successes up to that point in time. Offers may be subject to change without notice. October 26, 2022. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. But on Red, it's "worthwhile fight" and "a ruthless game," never easy but always intoxicating, almost to the point of nausea. Shes mined this type of melancholy tone before, but never for the full length of an album and certainly never with such a range of perspectives. These are songs that beckon celebration, hands raised over heads in secular worship of a 20-something's innate need to romanticize their life visions of nice dresses and sunsets, the epicenter of the world awaiting your arrival, hope that your beauty and grace will never fade. I also factored in critic reviews of the albums when deciding on the final ranking. The catalyst was lead single "Tim McGraw," but this ticket to the country radio airwaves turned out to be a red herring with the advent of other ironclad, infinitely repeatable songs that remain fan favorites, even in lieu of our now excess of options. Ten albums, a mantelpiece of awards and over a decade later, Swift has become one of the biggest popstars on the planet. says the actress. How Marvel went big with Ant-Man and the Wasp: Quantumania. Taylor Swift albumsTaylor Swift - 1989Credit: Big Machine, Fall Music Preview Most Anticipated Albums, Taylor Swift albumsTaylor Swift - Speak NowCredit: Big Machine. And then theres the title track, a gorgeous slow-dance, that acts as a reminder to why the world fell in love with Swift in the first place. Too many of us have felt like the monster on the hill encroaching on a peaceful city, the devastated partygoer in the blood-soaked gown, the midnight raining on a kindred spirit's sunlight, the lovesick loner lost in a labyrinth of their own making. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. But reputation is much more than an extended diss track; It's also a not-so-private ceremony for a new, hush-hush love affair (that years later blossoms into a now-rumored engagement to partner Joe Alwyn). To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. Look, Reputation served a purpose. It marks a shift from the retro-minded pop-rock of 1989 toward a harder, more urban aesthetic, and Swift wears the stiff, clattering beats of songs like Ready for It? like body armor. It's the album that immortalized her in the cultural ethos (for the first time around), delivering instant classics in "Love Story" and "You Belong with Me" that are forever fan favorites no matter how far her style and sensibilities have evolved. 1 as it best represents the evolution of Swift and her music. On her first three albums, love is mostly a daydream. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). What's likely the most famous track on this album, "Teardrops on My Guitar" is a textbook example of a popular Swift trope: a relatable song about a boy punctuated with clever lyrics. this includes her entire catalogue/discography and eras debut to evermore. The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. In honor of her instant-classic, record-breaking new LP. Reputation is, without a doubt, Taylor's most polarizing work to date. But back to the music. It has a piano introduction reminiscent of "New Year's Day," a song about an enduring love. Its fantasias are more melancholic, its themes of longing more resentful. That early nuance and the fact that she wrote this entire album completely on her own is no small feat. "Red" and "Lover" remain in the middle of the pack. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Love for a song about the worst parts of yourself grows on your heart like a burn on the skin. But herein lies the merit of Speak Now. Overall, it's charming and mostly tame, but then again, she's happy. There are many more parallels to past albums, as revisiting life moments already explored in her previous songs creates yet another treasure map of topics for knowledgeable fans. She also adds that with her recent re-recording of previous albums, Swift has "unlocked something brilliant and fresh in her songwriting," by dipping her toe back into previous eras. Consider how the instrumentation drops out during the last two words of the hook in Last Kiss, allowing the singers breathy vocal delivery to bear the entirety of the songs emotional weight, or how a simple acoustic guitar figure on Enchanted slowly crescendos behind each repetition of the line I was enchanted to meet you. Unfortunately, the greater complexity and range found in Swifts sound and in her song constructions doesnt necessarily translate to her songwriting. i. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. All of Swift's signature elements are present on Swift's third studio album that was released in 2010 beautifully honest lyrics about heartbreak ("Dear John," "Last Kiss"), biting diss tracks ("Mean," "Better Than Revenge"), and a story that unfolds ("Mine"). And on Midnights, Taylor turns to us, yet again. Thus, her 10th album is at the neutral midpoint on this list, though Midnights' careful metaphors are some of the best mirrors for abstract projection and self-reflection that listeners will find on this list. But over a decade later, Taylor makes the incredible move of re-recording her teenaged relics almost note-for-note, now at 31 years old. Two things before we get into the list: 1. Keefe, In the run-up to the release of her sixth album, Reputation, Swift was excoriated by fans and foes alike for too often playing the victim. She may be on the outs, but she sure isn't alone. Keefe, Folklore is neither a culmination of Swifts career to date nor a pivot in a new direction. ", Big Machine/Republic Records/Republic Records/Big Machine. His contributions here are uniformly clean and efficient, but plenty of his signature production tics, even if theyre presented here in a fresh context, are beginning to feel overused. 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